Ajith and Tabu, dressed in Rajasthani outfits, convincingly play passionate lovers yearning to be together. Menon visualised the song against the pyramids of Giza, which allows Mahadevan’s voice to echo and reverberate among the ancient monuments. Rahman composed Ye nna Solla Pogirai from Kandukondain Kandukondain in Misra Kirvani raga and set it to a haunting rhythm with fascinating instrumental interludes. The song that brought out the best of both Mahadevan as well as Rahman is from 2000, and is again from a Rajiv Menon film. These tracks highlight the classically-trained yet playback-ready voice of Mahadevan, who had by then established himself as a acclaimed composer along with Ehsan Noorani and Loy Mendosa and a versatile, multi-lingual singer. Rahman has given Mahadevan some of the most memorable tracks of his multi-faceted career – Varaha Nadhikkarai Oram from Sangamam (1999), Uppu Karuvadu from Mudhalvan (1999), September Maadham from Alaipayuthey (2000), Thaniye from Rhythm (2000), the title track of Thenali (2000). Mahadevan’s ability to hold higher and lower notes with equal strength and depth was remarkable. Music composer AR Rahman knew that Mahadevan’s resonant and full-throttle singing would work perfectly for a moment of heartbreak. (The happier version was sung by Hariharan). Shankar Mahadevan’s voice has a distinctive quality to it – it tends to fill the ears and embody a kind of surround sound quality.Īmong the first times Mahadevan’s voice boomed through the screen was when hairstylist Deva (Prabhudeva) cries his heart out in the song Vennilave Vennilave in Rajiv Menon’s 1997 romantic drama Minsaara Kanavu. Economist Gita Gopinath appointed as IMF’s first deputy managing director.‘Smashing the Patriarchy’ argues for a new kind of feminism in India, away from older models.
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